Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Author : Dreyfus, LaurenceYour search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Dreyfus, Laurence: The Use of the Harpsichord in the Sacred Works of J. S. Bach. [p]AMS_Minneapolis (Oct 1978) |  |
 | 2. | Dreyfus, Laurence: J. S. Bach's Experiment in Differentiated Accompaniment: Tacet Indications in the Organ Parts to the Vocal Works. JAMSoc 32/2 (Summer 1979), 321-334 | |
 | 3. | Dreyfus, Laurence Dana: Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. diss. (1980), 341p | |
| | 4. | Dreyfus, Laurence: The Length of Bass Notes in J.S. Bach's Secco Recitatives. [p]AMS_Denver (Nov 1980) | |
| | 5. | Dreyfus, Laurence: Zur Frage der Cembalo-Mitwirkung in den geistlichen Werken Bachs. [cr]Marburg1978 (1981), 178-184 |  |
| | 6. | Dreyfus, Laurence: J. S. Bach and the Status of Genre: Problems of 'Style' in BWV 1029. [p]AMS_Louisville (Oct 1983) | |
| | 7. | Dreyfus, Laurence: J. S. Bach's Concerto Ritornellos and the Question of Invention. [p]AMS_GreaterNewYork (May 1984) | |
| | 8. | Dreyfus, Laurence: The metaphorical soloist: Concerted organ parts in Bach's cantatas. EarlyM 13/2 (May 1985), 237-247 | |
| | 9. | Dreyfus, Laurence: J. S. Bach's Concerto Ritornellos and the Question of Invention. MQ 71/3 (1985), 327-358 | |
| | 10. | Dreyfus, Laurence: The Metaphorical Soloist: Concerted Organ Parts in Bach's Cantatas. [ce]JSBOrganist (1986), 172-192 | |
| | 11. | Dreyfus, Laurence: The Articulation of Genre in Bach's Instrumental Music. [cr]Philadelphia1985 (1986), 10-38 | |
| | 12. | Dreyfus, Laurence: The capellmeister and his audience: Observations on 'enlightened' receptions of Bach. [cr]Stuttgart1985 (1987), i: 180-189 | |
| | 13. | Dreyfus, Laurence: J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029. JMcol 5/1 (Winter 1987), 55-78 | |
 | 14. | Dreyfus, Laurence: Bach's Continuo Group: Players and Practices in his Vocal Works. StudHistM(Harvard) 3 (1987), xii, 264p | |
| | 15. | Dreyfus, Laurence: Bach and the Pursuit of Contemplative Time. [p]AMS_Oakland (Nov 1990) | |
| | 16. | Dreyfus, Laurence: Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I. [fs]Scheide (1993), 101-119 | |
| | 17. | Dreyfus, Laurence: What is an Invention? [ce]Dreyfus (1996), 1-32; 247-249 | |
| | 18. | Dreyfus, Laurence: Composing against the Grain. [ce]Dreyfus (1996), 33-58; 249-250 | |
| | 19. | Dreyfus, Laurence: The Ideal Ritornello. [ce]Dreyfus (1996), 103-133; 250-251 | |
| | 20. | Dreyfus, Laurence: The Status of a Genre. [ce]Dreyfus (1996), 103-133; 251-254 | |
| | 21. | Dreyfus, Laurence: Matters of Kind. [ce]Dreyfus (1996), 135-168; 254-256 | |
| | 22. | Dreyfus, Laurence: Figments of the Organicist Imagination. [ce]Dreyfus (1996), 169-188; 256-257 | |
| | 23. | Dreyfus, Laurence: On Bach's Style. [ce]Dreyfus (1996), 189-218; 258-259 | |
| | 24. | Dreyfus, Laurence: Bach as Critic of Enlightenment. [ce]Dreyfus (1996), 219-244; 258-260 | |
| | 25. | Dreyfus, Laurence: Bach and the Patterns of Invention. [ce]Dreyfus (1996), 270p | |
| | 26. | Dreyfus, Laurence: Bachian invention and its mechanisms. [ce]CambridgeCompanion_Bach (1997), 171-192 | |
| | 27. | Dreyfus, Laurence: Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Shozen). BCJ (Dec 2001), 46-53 |  |
| | 28. | Dreyfus, Laurence: Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-1-Sho: Jo. BCJ 48 (May 2001), 26-32 | |
| | 29. | Dreyfus, Laurence: Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro. BCJ 49 (Jun 2001), 28-38 | |
| | 30. | Dreyfus, Laurence: Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 51 (Feb 2002), 35-44 | |
| | 31. | Dreyfus, Laurence: Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 53 (Apr 2002), 34-40 | |
| | 32. | Dreyfus, Laurence: Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). BCJ 54 (Jun 2002), 36-47 | |
| | 33. | Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth: Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS (Mar 2007), [5] | |
| | 34. | Dreyfus, Laurence: Bachian Poetics in the St John Passion. [p]SMA_Glasgow (Apr 2009) | |
| | 35. | Dreyfus, Laurence: The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. BachPerspectives 8 (2011), 96-121 | |
| | 36. | Dreyfus, Laurence: Early music defended against its devotees: A theory of historical performance in the twentieth century. [ce]BaroqueMusic (2011), 499-527 | |